As a visual artist, I have been ideologically influenced primarily by the Dada movement from which I have gained a subtle surrealistic vision. This is particularly apparent in my still life panel paintings, where insects, animals and body parts are depicted in a bizarre and eclectic way, and later in a painting entitled “Spinning Granny”. These works seek to explore themes of nature and metamorphosis while utilizing repetition and movement to create an unreal or sometimes humorous effect.
In terms of technique, I prefer a minimalist composition and the use of vibrant, contrasting colors. My brushwork tends to be very clean, marked by meticulous attention to detail.
My recent work has evolved into exploring a more abstract and organic approach, while retaining the use of a strong, vibrant palette and clean brushwork.